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	<title>Yin Yin Wong</title>
	<link>https://yinyinwong.nl</link>
	<description>Yin Yin Wong</description>
	<pubDate>Thu, 18 Sep 2025 08:23:03 +0000</pubDate>
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		<title>Psalm for a Hungry Ghost</title>
				
		<link>https://yinyinwong.nl/Psalm-for-a-Hungry-Ghost</link>

		<pubDate>Thu, 18 Sep 2025 08:23:03 +0000</pubDate>

		<dc:creator>Yin Yin Wong</dc:creator>

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		<description>
	




	Psalm for a Hungry Ghost2025, Performance and Scenography&#38;nbsp;, 1h10m
	‘Psalm for a Hungry Ghost’ offers an intimate view in to the often unseen lives of Chinese restaurant keepers. Using a blend of comedy, one-(wo)man showmanship and contemporary art performance, PSALM plays with preconceived notions of a silent diaspora and paints a portrait of a flawed masculine archetype. 
‘Psalm for a Hungry Ghost’ was performed in a Dutch and English version in 2025 at Hotel Maria Kapel, Hoorn.&#38;nbsp;
New scenographic pieces were developed for the duo-exhibition ‘We Don’t Need Another Hero,’ with Jay Tan, at Wei Ling Contemporary, Kuala Lumpur.&#38;nbsp;
	This project was developed in collaboration with:Szymon Adamczak, 
Raffia Li (Dramaturgy)Honey Kraiwee (Curatorial support)Alexander Geijzendorffer (Gym development and production)Charlotte Brand (Videography &#38;amp; Trailer)
 Bart Treuren (Photography)

The development of this project was supported by: 
If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution within the framework of Open Rehearsal 2024; CBK Rotterdam and Het CultuurFonds




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Push Pull Legs Meditation Rack, Steel construction beams, candles, rooftiles, bricks, concrete slabs courtesy of Hotel Maria Kapel.
&#60;img width="4761" height="2724" width_o="4761" height_o="2724" data-src="https://freight.cargo.site/t/original/i/67de32ca03063cbc64f45f42ab2bbab546442b4774ead7b3845a637de027ca3a/1949_00016.jpg" data-mid="238370540" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/67de32ca03063cbc64f45f42ab2bbab546442b4774ead7b3845a637de027ca3a/1949_00016.jpg" /&#62;
Psalm for a Hungry Ghost (Altar), Cement, gipsum, tiles, snacks, Hotel Maria Kapel. 
&#60;img width="4032" height="2791" width_o="4032" height_o="2791" data-src="https://freight.cargo.site/t/original/i/38de21032e2918f3e31611a21243b528610269e9c721aff083f95031362ced07/ThinkOfOthers.jpg" data-mid="238372944" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/38de21032e2918f3e31611a21243b528610269e9c721aff083f95031362ced07/ThinkOfOthers.jpg" /&#62;Psalm for a Hungry Ghost (Think of Others), Acrylic and paper cement on lightbox, 
plastic containers, snacks, Wei Ling Contemporary


	
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Muscles from Brussels, Inkjet print, aluminiumlightbox, Wei Ling Gallery
Char Siew, Acrylic, gipsum
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		<title>I See You in My Dreams</title>
				
		<link>https://yinyinwong.nl/I-See-You-in-My-Dreams</link>

		<pubDate>Fri, 03 Nov 2023 12:51:09 +0000</pubDate>

		<dc:creator>Yin Yin Wong</dc:creator>

		<guid isPermaLink="true">https://yinyinwong.nl/I-See-You-in-My-Dreams</guid>

		<description>
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	I See You in My Dreams

2024, Acrylic on lightbox
	





















A series of lightboxes that draws from the public vernacular of Chinatowns in the Netherlands. What names, faces and histories are embedded in the signs that adorn our urban environment? Taking inspiration from personal history as well as their day-to-day surroundings, the series pays tribute to the Chinese restaurant and service industry in Rotterdam.Presented during Wild Summer of Art ‘24, BRUTUS, Rotterdam
Photography: Aad Hoogendoorn
	





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Holaan Travel Service, 2023, Wei Ling Contemporary
Remembering Pinetrees, 2023, Private Collection





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		<title>In search of a better life</title>
				
		<link>https://yinyinwong.nl/In-search-of-a-better-life</link>

		<pubDate>Mon, 19 Sep 2022 13:47:31 +0000</pubDate>

		<dc:creator>Yin Yin Wong</dc:creator>

		<guid isPermaLink="true">https://yinyinwong.nl/In-search-of-a-better-life</guid>

		<description>
	
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In Search of 
a Better Life










2022, Gelatin sculpture installation




	

The installation shows six koi carps surrounding a white lotus flower. The koi, commonly seen in chinese restaurants, are a symbol of prosperity. Crafted entirely from agar agar and gelatin, some cut into partitions, the jellies invite childlike wonder and awe while they probe dominant imaginaries of a diasporic culture that manifests through its function to serve and to be consumed.
Photography: Aleksander Johan Andreassen
	


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		<title>Lotus Flowers</title>
				
		<link>https://yinyinwong.nl/Lotus-Flowers</link>

		<pubDate>Mon, 19 Sep 2022 17:29:02 +0000</pubDate>

		<dc:creator>Yin Yin Wong</dc:creator>

		<guid isPermaLink="true">https://yinyinwong.nl/Lotus-Flowers</guid>

		<description>
	
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	Lotus Flowers

2022, Film, duration 08:45 min
	In this short film, I ask my mother to teach me how to fold the lotus flower napkins that we used to have on our restaurant table setting. During the folding tutorial, we talk about different connotations surrounding the lotus flower and memories of our restaurant Choong Kee (撂记).In the film I ask her whether she has ever seen a&#38;nbsp; lotus flower in real life. She answers that she has seen them in Malaysia, in the wild. She followed that wild lotus flowers should never be picked, as those who try get caught in the surrounding quicksand and drown.
In this I heard a metaphor for the diasporic experience– many Asian families venture to the West in search of a better life, only to get stuck with no way back.
	Conversation: 
Yin Yin Wong, Jenny Tong
Sound editing: 
Aleksander Johan Andreassen
Translation: 
Dorothy Cheung







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		<title>Selfportrait Installations</title>
				
		<link>https://yinyinwong.nl/Selfportrait-Installations</link>

		<pubDate>Mon, 12 Sep 2022 11:19:59 +0000</pubDate>

		<dc:creator>Yin Yin Wong</dc:creator>

		<guid isPermaLink="true">https://yinyinwong.nl/Selfportrait-Installations</guid>

		<description>
	&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/b7b4af1438fc994307b65db9fe34247c836c3bf1b208d25f4fcd1c0d6eda9d7f/jve-self-portrait.jpg" data-mid="159472450" border="0"  src="https://freight.cargo.site/w/1000/i/b7b4af1438fc994307b65db9fe34247c836c3bf1b208d25f4fcd1c0d6eda9d7f/jve-self-portrait.jpg" /&#62;

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	Selfportrait Installations2022,&#38;nbsp;Site specific installations
	 

	Through a daily practice of drawing self-portraits, I play with possibilities of self-presentation but also with the imperative to give countenance to identities that have long been excluded or marginalized. Growing up in a diaspora, I did not have many South-East Asian (and queer) role models presented to me through media, public life, culture or national history.
With the selfportrait installations I am showing myself publicly while at the same time emphasising the friction between myself and the architecture that surrounds me. Am I the outsider looking in or the insider looking out?

	
	

	Installations:‘ZATERDAG 5 Februari 2022’, 
Jan van Eyck Academy, Maastricht
‘DINSDAG 5 April 2022’, 
Onze Lieve Vrouweplein, Maastricht







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